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is something of a concept album that will keep his cult status alive and well.

Furman describes the album as “a queer outlaw saga” that plays with a sense of despair and fear running through all thirteen tracks.

This is Gutt’s debut and does a passable Weiland impersonation.

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To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Rainbow Six (soloists Ken Shaw and Bob Bertles) 7.39 7.

Prologue/Rainbow One (soloist Ian Carr and Brian Smith) 10.26 2.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive.

When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed.

2.5 of 5 stars Follows two EPs that introduced the London quintet’s brand of noise-pop.

Like its predecessors, it was recorded in the living room of singer/songwriter/guitarist Mia Lust and singer/guitarist Laura Orlova and it’s sound quality is about what you would expect.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market.

Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

Of course, the resultant sound signal is completely digital and thus only as good as this delay.

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